personal biography

Born in 1957 in France and New Zealand since 1987, Olivier Duhamel app Duhamel is a famous symbolic sculptor. Duhamel is a prolific artist and fashion designer, who has masterfully mastered the pictorial form.

Olivier Duhamel's bronze sculptures and paintings have won awards including the Wallace Art Fund.

Young Duhamel settled in New Zealand in 1987 and became a citizen in 1992, after extensive travels in Europe, North, West and Central Africa and the South Pacific. He now divides his time between Canberra, Australia and Waiheke Island near Auckland.

He teaches hands-on creative workshops, publishes a number of pop art brochures, provides pencil drawings and commission animation services, and teaches a lifelong drawing lesson.

He was a pupil of David Reed (bronze casting) and Christelle Gardiner (copper plate engraving).

American sculptor Jeff Koons worked under contract for his New York City studio.

He is the director of the Contemporary Art Gallery of Waiheke Island (spaceartgallery.co.nz).

Professional life

Olivier Duhamel takes beautiful photos to complement his theme, but his artistic identity is constantly evolving and he aims for a goal that is really hard to define. He is a prolific artist who has perfected the human form through years of practicing the time-honored discipline of life painting. He initially gained fame as a delicate portrait artist, later establishing himself as a leading New Zealand sculptor for his delicate and elegant bronze figures. However, one aspect of his practice remains constant in the naked woman who was his inspiration. "

Exploring the latest in woodcarving and digital media is essential, and people are often dazzled by the twinkling lights or transparency of his acrylic works, which certainly lend contemporary texture to their classic and academic forms. Once converted into still images, surprisingly, the shapes of his model maintain their movement; The artist's skillful attention to detail reveals his face and personality. The transparency of acrylic allows the light to reflect the vitality and dynamics of the situation. Likewise, the double tone of woodcut alters the look and feel of the statue's topography, producing highlights that appear or recede depending on the viewpoint. The hardness and strength of these materials contrast markedly with the softness and flexibility of the body, but under the sculptor's hands, folds of flesh and skin are elegantly proposed in celebration of beauty, energy and sensuality. of these women.

personal statement

"My creations do not convey a specific message, do not engage in any conceptual or symbolic research, and do not seek innovation at any cost. I mostly try to capture the beauty and emotionality of the subjects I work with. When it comes to art, I am primarily interested in the beauty, emotion, and mastery of my art. I hope that People find my work more fascinating than thought provoking.”

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